The Grownup is a melange of a classic Jamesian ghost story with a modern psychological tale reminiscent of Flynn’s prior novel, Gone Girl. At 64 pages, the book occupies that no man’s land between short story and novella but manages to pack some very interesting characters into that short space. First published in George R.R. Martin’s Rogues under the title “What Do You Do?,” it tells the story of a young, unnamed narrator who starts work as a beggar with her one-eyed mother before becoming a “therapist” that gives hand jobs to customers in the back room of a psychic’s shop. She is a small-time, streetwise grifter that has a knack for reading people and then taking advantage of them. When her carpel tunnel syndrome prevents her from continuing to work as a “therapist,” she is forced to move to the front of the shop to work as a clairvoyant. It is there she meets Susan Burke, a rich mother with two children and a serious problem. Susan and her family have just moved in to Carterhook Manor, a creepy Victorian mansion that Susan believes may be haunted and may have possessed her stepson, Miles. She hires the young con artist to cleanse the house and the woman agrees anticipating a profitable and easy job.
When the narrator visits the house, however, she soon suspects she may have underestimated both the ease of the job and the severity of the problem. Susan’s psychological and physical conditions have deteriorated and her stepson, Miles, is far from a normal teenage boy. The first part of the of the story builds nicely to some very disturbing scenes and reaches a frightening climax when the narrator finally realizes she is in over her head and tries to escape. Problems with the story begin to surface, though, when the explanation for these hauntings is finally revealed. Flynn takes the reader a little too firmly by the hand during the reveal and provides an almost clinical explanation of the events which only deflates the sense of horror built up to that point. This results in a story that feels rushed and an additional twist at the end that feels less inventive and more like Flynn couldn’t decide between two different storylines. And while the usual writing advice is to cut more rather than add more, I think the story would have been well served by the addition of another ten to twenty pages. That said, I enjoyed the ironic fate of the narrator and Flynn does a good job of blending modern characters into the framework of the classic ghost story.
The Grownup, Crown Publishers, 64 pp., $5.99.